![]() Bidding a fond farewell to the boxcar in 1927, Kalmus moved the Technicolor firm to Hollywood for better access to movie-makers and funding. 2 made two separate relief images which were then welded together in register, dyed, dried and loaded into a specially equipped camera designed to allow two exposures of the same scene to be made simultaneously through the single lens,” according to the Society. A first colour film was shot the next year, “The Gulf Between.” Finding the initial system awkward, the scientists devised a second process. 1, a two-component additive system was developed,” according to the Canadian Society of Cinematographers in “Technicolor at 90: Changing with the Times” by Don Angus. Initially, Technicolor’s first laboratory was a inconspicuous railway boxcar in Boston. ![]() The lawyer who earlier brought them the Vanascope projector to test provided an investment of $10,000 for Technicolor’s operating capital. Though not yet perfected, the camera was good enough for Kalmus, Comstock and Wescott to incorporate a new company called the “Technicolor Motion Picture Corporation.” Kalmus quit his job at Queen’s University in March 1915 and moved back to Boston. Dismayed with his non-academic focus, the school administration sent a letter to the professor in September 1914, telling him to work only on his metallurgy research.īy early 1915, Kalmus and his partners had developed a two-colour camera prototype, one that filmed reds and greens only, blues were not accessible. “His mind was much occupied with the possibilities to apply his scientific mind to profitable ends,” wrote the then head of physics, Arthur Clark. Not smitten in sponsoring entrepreneurs and perhaps not seeing the enormous potential in colour movies, Queen’s did not support Kalmus’s sideline. Called Colour Kalmus on campus, the professor used his laboratory at Queens for a number of lucrative experiments - the most eye catching being colour movies. Kalmus began experimenting with colour photography and the creation of colour film while his wife, Natalie Kalmus, ran arts studies in Kingston. Previously, any colouring in movies at that time was done by labour-intensive and expensive hand painting. ![]()
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